![]() Carpenter's chronic weight loss was portrayed by using a "Karen" Barbie doll with the face and body whittled away with a knife, leaving the doll looking skeletonized. The film presents Carpenter's struggle with anorexia and bulimia, featuring several close-ups of Ipecac (the nonprescription drug Carpenter was reputed to have used to make herself vomit during her illness). In 1987, while an MFA student at Bard College, Haynes made a short, Superstar: The Karen Carpenter Story, which chronicles the life of American pop singer Karen Carpenter, using Barbie dolls as actors. It was a simple, but eye-opening, way of approaching film." This shaped Haynes's future and style within his professional career.Ĭareer 1987–1993: Superstar, Poison, Dottie Gets Spanked Haynes replied saying his high school teacher taught him a valuable lesson that, "Reality can't be a criterion for judging the success or failure of a film, or its effect on you. Īccording to Cinematic/Sexual: An Interview with Todd Haynes, Haynes responded to Justin Wyatt's question, asking whether his academic background affected his film-making practice. After graduating from Brown, Haynes moved to New York City and became involved in the independent film scene, launching Apparatus Productions, a non-profit organization for the support of independent film. At Brown, he met Christine Vachon, who would go on to produce all of his feature films. He studied art and semiotics at Brown University, where he directed his first short film Assassins: A Film Concerning Rimbaud (1985), inspired by the French poet Arthur Rimbaud (a personality Haynes would later reference in his film I'm Not There). Haynes developed an interest in film at an early age, and produced a short film, The Suicide (1978), while still in high school. His younger sister is Gwynneth Haynes of the band Sophe Lux. Haynes, was a cosmetics importer, and his mother, Sherry Lynne (née Semler), studied acting (and makes a brief appearance in I'm Not There). Haynes was born January 2, 1961, in Los Angeles, and grew up in nearby Encino. Haynes directed and co-wrote the HBO mini-series Mildred Pierce (2011) for which he was nominated for three Primetime Emmy Awards. He directed his first feature-length documentary, The Velvet Underground (2021). He continued to direct critically lauded films such as I'm Not There (2007), Carol (2015), Wonderstruck (2017), Dark Waters (2019), and May December (2023). Haynes gained acclaim and a measure of mainstream success with Far from Heaven (2002) earning his first Academy Award nomination for Best Original Screenplay. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival. His next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. Haynes received further acclaim for his second feature film, Safe (1995), a symbolic portrait of a housewife who develops multiple chemical sensitivity. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes's feature directorial debut, Poison (1991), a provocative exploration of AIDS-era queer perceptions and subversions, established him as a figure of a new transgressive cinema. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's life and death, using Barbie dolls as actors. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles. Todd Haynes ( / h eɪ n z/ born January 2, 1961) is an American film director, screenwriter, and producer.
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